The Blues Guitar Method

Four Weeks to a
Better Blues Jam

A 28-day daily program for guitar players who know the pentatonic scale but still don't sound like a blues player when it counts.

Get Instant Access - $29

Join touring professional Travis Feaster inside the course.

Here's what changes over 28 days.

You'll construct real phrases, not run patterns.

You'll understand exactly why certain notes work in context and be able to build musical phrases with genuine intention behind them. The course focuses on the specific physical mechanics - bends, note control, timing - that make the difference between a player who sounds musical and a player who sounds like they're warming up. People in the room will hear it.

You'll have the whole fretboard available to you.

You'll break out of the four-fret pentatonic box for good. The course walks you through the exact connecting pathways between positions - the Albert King Box, the B.B. King Box, and first position - so you can move freely across the entire neck and play through the chord changes instead of around them.

You'll walk into a jam session with something real in your hands.

By Day 28 you'll have a complete, fretboard-spanning solo you built yourself, one day at a time. Not a concept. Not a collection of licks you hope to assemble on the fly. A real solo that you've played enough times to know it works.

You know the scale. You just don't sound like a blues player yet.

You've put real time into this. You know the pentatonic box. You've got a Watch Later queue full of lessons you meant to get back to, and you've watched some of them twice. You run the licks. You practice. And when you actually try to solo over a backing track, it still comes out stiff and mechanical - the same moves in the same order, going nowhere in particular.

Here's the real problem. The great blues players never thought about scales when they played. They thought in phrases and feeling. They heard a note in their head and went straight to it. That's a completely different skill from knowing which notes are in the pentatonic box - and it's the skill nobody is actually teaching.

The problem isn't how much time you've put in. It's that there's never been a clear, structured daily path showing you exactly what to work on, in what order, that builds toward something you can actually play in front of other people.

Sound familiar?

"I'm just running up and down the scale and it doesn't sound like music."
"I have no real phrasing. I'm stringing licks together and hoping something lands."
"I freeze up and reach for the same two or three things every single time."
"I want to go to a local jam session, but I know I'm not ready."

The Method

One Video a Day. Twenty-Eight Days.

Physical Mechanics Before Anything Else

Most instruction skips straight to licks and leaves you wondering why yours don't sound the same. This course starts with how to actually produce the sound - three-finger power bends, controlled wrist pivots, choked notes. The physical mechanics that separate players who sound like blues players from players who have memorized blues scales. If you've ever hit the right note and had it come out thin or out of pitch, this is exactly why.

Plain Language, Zero Theory Overload

No modes. No jazz harmony. No chord-scale relationships that require a music degree to apply. Every concept connects directly back to what your hands are doing and what your ears are hearing. Travis explains it the way one musician explains something to another - straight, plain, and practical.

A Daily Structure That Actually Builds on Itself

One video per day. Every lesson builds on the one before it. No jumping between random YouTube videos and hoping the pieces eventually connect. By the time you reach Week 4, you'll be able to hear exactly how far you've come from Day 1.

The Course Syllabus

Enroll Now - $29

The Bonus Vault: Fundamentals & Backing Tracks

Before Day 1 begins, establish your foundation. Watch these first to lock in your physical mechanics, and use the included backing tracks to practice everything you learn.

• The 4 Custom Backing Tracks: Professionally produced jam tracks to practice your new solos.
• The Breakdown of the Blues Scale: Finding your "Home Base" and leveraging flat-5 tension.
• Help with Bending: The exact 3-finger power mechanic for perfect pitch.
• Vibrato: The wrist-pivot technique for vocal-like control.
• Hammer-ons and Pull-offs: Speed and phrasing fluidity without picking every note.
• Adding 3s and 6s to the Blues Scale: Weaving major-scale sweet notes into the minor box.

Week 1: First Position Phrasing

We start with the pentatonic box you already know and show you how to actually construct sentences inside it. You'll learn the Chuck Berry quarter bend, how to use the blue note for tension, and how to combine double-stops with full-step bends to create a massive resolving lick by Day 7.

Week 2: The Albert King Box

You break out of the four-fret prison for the first time. The Albert King Box opens up aggressive, high-register phrasing. You'll learn the exact pick attack Stevie Ray Vaughan used on "The Sky is Crying," and how to leave certain phrases deliberately unresolved—one of the most emotionally powerful tools in blues guitar.

Week 3: Advanced Melodic Weaving

This is where players transition from scale-runners to deeply sophisticated soloists. Over 7 days, you'll learn how to weave "sweet notes" dynamically throughout the fretboard. We break down Eric Clapton-style slow-blues intros, multi-octave descending runs, and prove how a single note choice changes an aggressive phrase into a sweet one.

Week 4: The B.B. King Box & The Final Solo

Moving to the absolute highest register of the guitar. You'll learn soaring vocal bends, the "Choked Note" technique for dynamic volume control, and emotional pre-bends. Finally, we spend the last days assembling everything—from the top of the neck all the way down to home base—into one massive, stage-ready solo.

Your Instructor

Travis Feaster

Travis is a working touring professional. Signed to Mystic Records in 2012, toured alongside Daughtry and Walter Trout, and has shared stages with John Mayall, Taj Mahal, and Chuck Berry. He's been playing blues for real crowds for nearly two decades. When he talks about what works under stage lights, in front of people who know the difference, he's talking from direct experience.

He teaches the way blues was always meant to be learned - musician to musician, straight talk, no academic detour. The focus is feel, phrasing, and the physical execution that makes a solo sound like music instead of an exercise. If you're tired of guitar instruction that never quite connects to what your hands actually do, Travis teaches the opposite of that.

Shared stages with Chuck Berry, Taj Mahal, and John Mayall
Toured with Daughtry and Walter Trout
Signed to Mystic Records, released "Juggling Dynamite"
Nearly two decades of professional touring and recording
Practical, stage-tested methods - no academic detour

Frequently Asked Questions

Do I need to know how to read music?

Absolutely not. Travis teaches the way real musicians talk. Everything is broken down using tab, fretboard maps, and clear video demonstrations.

Do I have to complete it in exactly 28 days?

Not at all. While the program is designed to give you a daily win over 4 weeks, you get lifetime access. Go at your own pace and revisit the videos whenever you need a refresher.

What gear do I need for this?

Any electric or acoustic guitar will work. You don't need fancy pedals or vintage amps to learn phrasing. The included backing tracks can be played on any computer, tablet, or smartphone.

I already know the minor pentatonic scale. Is this too basic for me?

This course was built exactly for you. If you know the five boxes but struggle to make them actually sound like "the blues," Travis's system will completely change the way you navigate the fretboard.

Twenty-Eight Days. One Video a Day. $29.

You get the complete 28-day daily program, a bonus fundamentals section covering the blues scale, bending, hammer-ons, pull-offs, and vibrato before you ever start Week 1, plus four custom backing tracks and lifetime access to everything. Travis teaches it straight - no padding, no theory overload, no licks without context. A clear daily path from where you are right now to a real solo you can play at a real jam session.